Q: what initially drew you to pursue art, and a hopeful future?
A: “From a young age, I have always been fascinated by how art can convey complex emotions and stories in a way it was the only way I could express myself and connect with others on a deeper level, gave me a completely different but fresh identity which I felt comfortable and free in.”
Q: Your work often incorporates elements of Society’s attitude and the lack of euphoria in the new age, how do you balance these references with contemporary issues?
A: “I believe that understanding our issues and what our world now considers as important is crucial to addressing present challenges. By integrating pressing issues as motifs with modern perspectives, I aim to create a dialogue between the past and the present. With how we use technology to be the focal point of our lives why not show how that comes across in the completely contrasting way through the use of art”
Q: What is your view on the increased use of technology on the arts?
A: “I believe that with more and more people relying on Social media and other platforms to bring them a sense of meaning and entertainment, that we have now drifted from the idea that people used to go to gallery’s more, for hours, getting a sense of culture and perspective and understanding all things, how simple brush strokes on a canvas create feeling both good or bad. Now with technology adjusting people’s attention spans, a lack of appreciation is being shown towards the arts. Young people now would rather scroll on TikTok for an hour, then walk around looking at Picasso’s old classic.”
Q: Why do you think the Tate Modern’s “Paint the town” initiative is important for young people?
A: “I think it’s incredibly important because it addresses a big issue we’re facing—how technology is consuming so much of our time and attention. As a young person, I see it every day: people glued to their phones, missing out on real-world experiences. This campaign gives us a chance to step away from that, get outside, and create something meaningful. Plus, it’s so empowering to see your own artwork displayed in a gallery like the Tate Modern—it’s a reminder that creativity matters.”
Q: How do you think it will reduce stress and anxiety and will it be better for the individual?
A: “I think by introducing this new programme, the Tate Modern has designed It would allow children to get out there and experience what it’s like to pick up a paintbrush and be creative and just let your mind go free without formulation or the barriers that technology has placed upon us subconsciously. It will definitely relieve stress as I personally know from when I sit down to do a painting, sculpture or whatever it may be, time flies by. I think it will allow children to find the identity that I found when I first discovered Art and carry it through the younger generation. Art might not be for everyone, but everyone can do art.”
Q: How does creating art outdoors differ from working in a studio or at home?
A: “There’s something magical about being creative outside. You’re surrounded by nature, the energy of the city, and so much history—it’s like the environment becomes part of your work. When you’re in a park, you can hear the birds, feel the wind, and see other people walking by, which is so different from being cooped up in a room. It makes you feel connected to the world and inspires you in unexpected ways.”
Q: Why do you think art can be a good alternative to spending time on technology?
A: “Art forces you to slow down and be present in the moment, which is the opposite of scrolling on your phone. When you’re painting or drawing, you’re focused on the colours, the textures, and your ideas. It’s such a refreshing break from the constant noise of social media and notifications. I think it’s a way to reconnect with yourself and your emotions, which is something we all need more of.”
Q: Have you personally experienced any benefits from stepping away from technology to focus on art?
A: “Absolutely! During lockdown, I found myself spending way too much time online, and it started to affect my mental health. I realized I needed a change, so I began painting and creating more regularly. It became a kind of therapy for me. It helped me manage stress, feel more confident, and even made me more productive. Now, I make a point to have tech-free creative time every day—it’s made a huge difference epically to my mental health.”
Q: What do you hope other young people will gain from participating in this campaign?
A: “I hope they’ll discover the joy of creating something with their hands and realize they’re capable of amazing things. I also hope it helps them connect with others. Painting in a park with friends or even strangers can be such fun and a bonding experience. Most importantly, I want them to see that life is about balance. Technology has its place, but there’s so much more to explore and enjoy beyond a screen.”
Q: Why is it significant that the artwork created during this campaign will be displayed at the Tate Modern?
A: “It’s huge! It’s such a confidence boost for young people to see their work in a prestigious gallery like the Tate Modern. It sends a message that their creativity matters and deserves recognition. For many, this might be the first time they feel like real artists, and that can inspire them to keep creating. It also bridges the gap between professional art and everyday creativity, showing that everyone has something valuable to contribute.”
Q: What would you say to someone who feels intimidated by the idea of creating art in public?
A: “I’d tell them to just go for it! Art isn’t about being perfect—it’s about expressing yourself. You don’t have to be the next Picasso to enjoy painting. In fact, some of the most interesting pieces come from people who are just starting out because their work feels so genuine. And trust me, people aren’t judging—they’re usually curious and supportive. Just pick up a brush and have fun with it!”
Q: How do you see initiatives like this shaping the future of art and creativity?
A: “I think it’s a step toward making art more accessible and inclusive. Campaigns like this remind people that art isn’t just for galleries or professionals—it’s for everyone. By reaching out to younger generations, it also helps secure the future of art and creativity. Who knows? Maybe one of the kids painting in the park today will be the next great artist of our time. I think that’s a beautiful possibility.”
Conclusion
Emre Çelebi’s enthusiasm for the “Paint the town every colour” initiative is contagious. As he puts it “This campaign isn’t just about painting-it’s about reconnecting with ourselves, our city and each other.” He is able to shed a personal view on something he is very passionate and rationale about and is just one example of how the younger generation benefits greatly from the creative industry. With voices like Emre’s championing creativity, the future of art and young minds alike looks brighter than ever. And the Tate Modern looks forward to working with him as he will make appearance at several locations to both aid and contribute to the campaign and be a leading example of how getting off technology and out into the world can benefit oneself in many ways.